Golden Lotus News, Uncategorized Leave a Comment
Based on the most infamous Chinese novel of all time, Jin Ping Mei, this musical adaptation animatedly introduces this timeless and riveting story to English speaking audiences, for the first time ever, with music that combines pop rock with Chinese harmonies and instrumentation…
For the full article, click here.
Golden Lotus Media Inc.
For General Inquiries:
E: info [at] goldenlotusthemusical.com
For Media & Business Inquiries:
E: joycechan [at] goldenlotusmedia.ca
P: +1 647-945-3683
Linus Kwok graduated from the Hong Kong Academy for Performing Arts and the Royal Academy of Dance, majored in Ballet and dance education. He was awarded with a full ballet scholarship from the Ivy Chung School of Ballet in 2004. In 2005, he received the Alumni Association Scholarship for the Arts (Dance and Drama), SKH Lui Ming Choi Secondary School.
Linus has received multiple awards and scholarships including: Silver Award in Group Dance (2006, Hong Kong Ballet Group’s 5th Young Ballet Stars Awards), the Silver Choreographer Award (2013, Stars of Canaan Dance Competition), and the HKSAR/Mainland Exchange Scholarship (2011). Linus is currently an Artistic Director of Beyond Dance Company, Senior Ballet Teacher of Ivy Chung School of Ballet and Ballet Master of “Ivy’s Ballet Company”.
Moe Mo graduated from the Hong Kong Academy for Performing Arts, Bachelor’s of Fine Arts (Hons) degree in Theatre & Film Design. She collaborated with The nonsensemakers in Travel with Mom as a Costume designer; City Contemporary Dance Company It’s my turn, Macao Conservatory in The Winter’s Tale, Perry Chui Experimental Theatre in Closer, Chivalry Creative Theatre in I love Football, Alice Theatre Laboratory in Hundred Years of Solitude, Endgame, Life of Galileo as a Set and costume designer. Her work Endgame was nominated for the best set design, costume design and make-up/styling in Drama Award 2013, as well as The Proof was nominated for the best costume design. She currently teaches “Theatre Design” in the School of Theatre of Macao Conservatory.
Ivy Chung started her professional ballet training at the Hong Kong Academy for Performing Arts (HKAPA) (graduated with Highest Distinction and awarded with the Overseas Scholarship by Hong Kong Jockey Club Music and Dance Fund). She then joined the Universal Ballet Company of Korea and received the Performer Golden Award in 1994. With the W. Rondo Theatre (Taiwan), Fanmeid Dance Company (Taiwan), Panda Dance theatre in Canada and the Hong Kong Ballet Group, she performed in productions including: Giselle, Swan Lake, Coppélia, Aladdin and The Nutcracker. She was awarded the Favourite Dancer Award thrice by the Friends of Hong Kong Ballet. After the Ontario Ballet Theatre of Canada, she joined the Hong Kong Ballet where she danced leading roles inBeauty and The Beast, Swan Lake, The Sleeping Beauty, The Last Emperor, White Snake, Romeo & Juliet, Lady of the Camellias, Mulan, Sim Chung, Cakewalk, In the School of the Dolls and many others. Ivy was one of the few chosen Hong Kong ballerinas to perform for celebrities like Lady Diana at her Buckingham Palace (1993) and Mrs. Lavender Pattern at the Hong Kong Government House (1996).
With Ivy Chung Ballet, she choreographed, directed and produced many productions including: For My Beloved (2013), The Vine (2012), The Gospel (2011), Wonderland (2009, 2010), Sichuan Earthquake (2008), Sleeping Beauty and Four Seasons (2007), Swan Lake (2006), and The Nut before the Cracker (2004).
Emily Chan graduated from the Hong Kong Academy for Performing Arts with a drama diploma and a first-class Bachelor of Fine Arts (Honours) Degree, majoring in Directing.
Her directed, written, and translated works include: The Wizard of Oz (Lutheran Academy), The Odd Couple, The Old Days of Temple Street, 山水又相逢 (Springtime stage), The Vagina Monologues, Butterflies are free (coadapter) & Move Over Mrs. Markham (Perry Chiu Experimental Theatre),The Lost Dragon Pearl (The Hong Kong Ocean Park), Captain Green, Web 2.0 (Theatre Noir), Happy Size Family, The Trouble Family (Director, playwright and actress, Chung Ying Theatre), Anti-drugs Cos-play Show – Ching Xiang’s choice?, Knock X down (The Hong Kong Repertory Theatre), Master Q Musical (re-run) (Director, Chung Ying Theatre), Happy Birthday, Fanny Free, In love with Anthony Chan (To-be Theatre). Emily is the Artistic director of PRIME PRODUCTION, she designs various English drama courses, directs and writes English/Chinese plays at the kindergarten, primary and secondary levels.
George Chiang was born in Ottawa, Ontario and is of Taiwanese descent. George received his theatre training at the University of Guelph during which time he was also known to hitchhike to Toronto to perform his stand-up comedy routine at Yuk Yuks and The Laugh Resort. George has been involved in the development of numerous new plays, musicals and translations including his own Dances with Gold Dust (Native Earth Performing Arts) and Urban Donnelleys (Theatre Passe Muraille) which he co-wrote. His musical Golden Lotus was the first Canadian musical ever presented at the ASCAP Foundation/Disney Theatrical Productions Musical Theatre Workshop in New York. Golden Lotus received its world premiere in Hong Kong where it won the Hecklers Award for “Best Original Work”.
George is also an actor in theatre, film & television. He has appeared in many plays and spent a season at Canada’s flagship theatre the Stratford Shakespeare Festival where he appeared in Othello and Twelfth Night. George has played leading and supporting roles in such films as McKenna Shoots For the Stars, Eloise at the Plaza, The Tracker, Plague City: SARS in Toronto, Hawk’s Vengeance, and The Stupids. George has also appeared regularly on television in such shows as Dark Matter, Mayday, XIII, Cracked, Combat Hospital, The Bridge, The Border, Puppets Who Kill, Relic Hunter, Sue Thomas F.B.Eye, Goosebumps, Forever Knight, Made In Canada, Animorphs among many others.
George Gao began studying the erhu at the age of six. After winning the first prize in the Beijing National Erhu Competition, he launched an international performance career. He toured the US, Canada, France, Germany, Denmark, Japan, Taiwan, Hong Kong and China extensively and was featured as a soloist with the Toronto Symphony Orchestra, Bamberg Symphony Orchestra, Aalborg Symphony Orchestra, Shanghai Symphony Orchestra, Hong Kong Chinese Orchestra, Taiwan National Chinese Orchestra, National Arts Centre Symphony Orchestra, Winnipeg Symphony Orchestra, Edmonton Symphony Orchestra and I Musici etc.
George’s composing credits include: Becoming American, the Chinese Experience (co-composed with Brian Keane, Bill Moyer’s Productions/Lenon Documentary), the Oscar-winning The Blood of Yingzhou District, and the Oscar nominee The Warriors of Qiugang. He also wrote many erhu works including Capriccio for Erhu, and Erhu Capriccio No. 2 – Mongolian Fantasy.
He is currently a guest concert master for the Hong Kong Chinese Orchestra, and a guest professor of the China Conservatory of Music, Shanghai Conservatory of Music, National Taiwan University of Arts, Zao Zhuang University, Jiang Xi University of Science and Technology in China, Ogaki Women’s College in Japan.
Soraya Chau trained at The London School of Musical Theatre. Prior to LSMT She obtained a diploma in Musical Theatre at the Central School of Speech and Drama. Soraya is an experienced events vocalist (Hong Kong) and photographic model (Hong Kong and London).
Theatre credits in London include: Suzie Kan in Enemy of people by Just Jones theatre company, and Judy in How I got married in Dim Sum Nights by Yellow Earth theatre company. Credits whilst training: Hotel Singer in Violet at Bridewell theatre (Musical), stripper/ensemble in RSVP ASAP (Musical) and Ursula in Much Ado About Nothing. Soraya is also a qualified stage combatant of Academy of Performance Combat, UK. She has trained with fight director Philip Stafford at Shakespeare’s Globe Theatre. She would like to thank her teachers Verona Chard, Adrian Jeckells and Mohamed Drissi for their love and support.
Marc Ngan graduated from EXCEL, HKAPA with a BTEC Level 5 Higher National Diploma in Performing Arts (Musical Theatre) and was awarded the ‘Most Outstanding Student’ in his graduating year. His theatre credits include Good Morning Hong Kong (Worldwide Original Musical Premier), A Chorus Line (Theatre Space), Footloose (Face Productions), Harlequinade (AFTEC), Oz to the Future (EXCEL, HKAPA), MJ Relived II (EXCEL, HKAPA), Postcards from Hong Kong (The Black Sheep Family). He has also appeared in a number of TV commercials including McDonald’s,China Bank, Fortune Pharmaceutical and Hennessy. The Dean of Drama at the Hong Kong Academy of Performing Arts quoted “Marc is clearly one outstanding star in the making”.
Samantha Yeung graduated from the Hong Kong Academy for Performing Arts (HKAPA) with a Bachelor of Fine Arts (Honours) Degree, majoring in Acting. Productions at HKAPA include Di Nu Hua (Princess Changping) (Hong Kong and Australia), Cherry Orchard Trojan Women, Autumn Execution (Hong Kong and Toronto), Roberto Zuco and Summer and Smoke. She is a recipient of scholarships including Jackie Chan Scholarship, Chung Pu Memorial Scholarship, Dean of Drama School Scholarship and HKAPA Association Scholarship. In addition to her theatre performances, Yeung has also appeared in films, music videos as well as TV commercials.
Scott Watanabe recently performed in New York as “Mr. Bumble” in the National Asian Artist Project production of Oliver! and in the Pan Asian Repertory production of No-No Boy. This past year he has participated in three development projects of new musicals, Allegiance, Behind the Painting and Guilin: A China Story. He has been featured in the Broadway, Los Angeles, Toronto and Las Vegas productions of The Phantom of the Opera. Broadway: Pacific Overtures. NY Theatre: Kismet, Candide. Regional: Allegiance, “Engineer” – Miss Saigon, “Padre” – Man of La Mancha, “Charlie Davenport” – Annie Get Your Gun, “Captain Lesgate” – Dial M for Murder, “Ito” – Mame, “Kayama” – Pacific Overtures, “Franklin Shepard” – Merrily We Roll Along, “Pasquale” – The Most Happy Fella, “Jake” – Paint Your Wagon as well as productions of The Prince and the Pauper, Evita, Chess, Oklahoma!, Zorba, The King and I, Flower Drum Song.
Billy Sy graduated from the Central School of Speech and Drama in London (MA in Advanced Theatre Practice specialized in Performing). He was awarded a Distinction for the ACTL Diploma in Musical Theatre Performance by Trinity College and received extensive training at the Royal Academy of Dramatic Arts (London), Moscow Arts Theatre School (Russia), Trinity Laban Dance School (London) and IUGTE Physical Theatre Lab (Austria). In the UK, Billy worked with The Old Vic, Royal Court Theatre, Yellow Earth Theatre, StoneCrabs Theatre, etc.In 2009, Billy returned to Hong Kong to develop his acting career. He was nominated for the ‘Best Supporting Actor’ for the 23rd Hong Kong Drama Award in 2014 playing the role Posner in The History Boys with Theatre Space.
Other recent credits in Hong Kong include: A Chorus Line (Theatre Space), Avenue Q (re-run Windmill Grass Theatre), Cabaret des Annees Folles (Le French May 2013), Animal Farm – the Musical (1st run Theatre Noir), The Passage Beyond (Actors Family), Scrooge: The Musical (Hong Kong Repertory Theatre), etc. He has also created and participated in several cabaret performances at HK Fringe Club including One Night in Falsettoland in Concert, LISTEN, W.A.R., as well as site-specific solo piece at a bookstore ‘A Solitude of reading’ produced by HK Dramatists etc.
Ronan Pak Kin Yan graduated from the Hong Kong Academy for Performing Arts with an advanced certificate in performing arts, major in musical theatre. In 2008, he completed an intensive musical training in New York (CAP21), experienced in Stage performances. Ronan participated in Mr HK in 2010, and was a contract artiste of TVB. He has also received Intermediate Certificate in Classical Ballet from Royal Academy of Dance and Advanced One Certificate in Tap Dance from Imperial Society of Teachers of Dancing. In 2006, he received the Katterwall Vocal Academy Scholarship for singing.
Boon Ho Sung trained at HKAPA and University of Wisconsin-Madison. His theatre credits include 1941 Girl, The Woman in Kenzo (reading), The Passage Beyond, The Invisible Man in Narrowness, How to be a Star, The Bloody Hell, The Good Person of Szechwan (Actors’ Family), Gross Indecency: The Three Trials of Oscar Wilde, Not Even Wrong (Pants Production), The Mad Phoenix (Spring-Time Stage), Animal Farm (Theatre Noir), End Time Monsters (Artocrite Theater), I, Ching (Theatre Space), Messiah (We Draman), Health, Not? (Prospects Theatre: Playwright Scheme VI), Edelweiss (Stage 64), Amadeus (Live Theatre), The Ten Brothers (The Drama Club of Kiangsu-Chekiang College (Shatin) ), Cyrano de Bergerac (Chung Ying Theatre Company), Actor! (Kin Tong Chiu X Hoi Fai Wu), Legend of Li Bai (Semantic Theatre), Equal Opportunities Musical (Radio Television Hong Kong), and Worlds of Wisdom (Theatre of All Possibilities).
Harriet Chung has been a part of the creation of Golden Lotus since the beginning where she played the title role in the ASCAP/Disney Musical Theatre presentation in New York City. Harriet received a Hecklers Award nomination for “Best Actress” for her critically acclaimed performance in the Hong Kong world premiere of Golden Lotus.
Her strong dance background landed her into the world of musical theatre when she was cast in Canada’s most successful musical theatre production of The Phantom of the Opera, in Toronto. This led her to sing and dance in many more musical productions such as Cats, in Hamburg, Germany, which was the most successful theatrical show in German history. She has also performed in and choreographed for many other productions such as The King & I, The Land of Smiles, Starbright, Fiddler on Fire, Tiananmen Dreams and the Dora Award winning opera Iron Road.
Harriet was a performer and the choreographer for Gateway Theatre’s production of The King & I in Vancouver, Canada for which she received an Ovation Award nomination for Outstanding Choreography.
What information do we collect?
We collect information from you when you subscribe to our newsletter.
When ordering or registering on our site, as appropriate, you may be asked to enter your: name or e-mail address. You may, however, visit our site anonymously.
What do we use your information for?
Any of the information we collect from you may be used in one of the following ways:
• To personalize your experience (your information helps us to better respond to your individual needs)
• To administer a contest, promotion, survey or other site feature
• To send periodic emails
The email address you provide may be used to send you information, respond to inquiries, and/or other requests or questions.
Do we use cookies?
Yes (Cookies are small files that a site or its service provider transfers to your computers hard drive through your Web browser (if you allow) that enables the sites or service providers systems to recognize your browser and capture and remember certain information. We use cookies to compile aggregate data about site traffic and site interaction so that we can offer better site experiences and tools in the future.
Do we disclose any information to outside parties?
We do not sell, trade, or otherwise transfer to outside parties your personally identifiable information. This does not include trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your information when we believe release is appropriate to comply with the law, enforce our site policies, or protect ours or others rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.
Children’s Online Privacy Protection Act Compliance
We are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.
Online Privacy Policy Only
This online privacy policy applies only to information collected through our website and not to information collected offline.
Terms and Conditions
Please also visit our Terms and Conditions section establishing the use, disclaimers, and limitations of liability governing the use of our website.
Your Consent
By using our site, you consent to our online privacy policy.
Contact Us
If there are any questions regarding this privacy policy, please contact us
By using this site, you signify your assent to these terms of use (“Terms”). If you do not agree to these Terms of use, please do not use the site. We reserve the right, at our discretion, to change, modify, add, or remove portions of these Terms at any time. Please check these Terms periodically for changes. Your continued use of GoldenLotusTheMusical.com (referred to as “the site”, “this site” herein) following the posting of changes to these Terms will mean you accept those changes.
Restrictions on Use of Materials
This site is owned and operated by Golden Lotus Media Inc. (referred to as “Golden Lotus Media,” “we,” “us,” or “our” herein). No material from this website may be copied, reproduced, republished, amended, modified, revised, edited, changed, added to, deleted, uploaded, posted, transmitted, or distributed in any way, without our express written permission. You may download one copy of the materials displayed on the site for your personal, non-commercial home use only, provided you keep intact all copyright and other proprietary notices. Modification of the materials or use of the materials for any other purpose is a violation of Golden Lotus Media’s copyright and other proprietary rights. All trademarks, service marks, and trade names are proprietary to Golden Lotus Media are to be kept intact.
In the event you download any material from the site, the material, including any software, files, images, graphics or text are licensed to you by Golden Lotus Media. Golden Lotus Media do not transfer title to such material to you. You own the medium on which the material is recorded, but Golden Lotus Media retains full and complete title to the material at all times, and all intellectual property rights therein. You may not add, delete, distort, or otherwise modify the contents on the sites. Any unauthorized attempts to modify any Online Material, to defeat or circumvent our security features, or to utilize the site for anything other than its intended purpose is prohibited.
Any communication or material, which is transmitted by you to the site by electronic mail or otherwise, will be treated as non-confidential and non-proprietary. Accordingly, anything you transmit or post may be used by us or our affiliates for any purpose, including, but not limited to, reproduction, disclosure, transmission, publication, broadcasting and posting. Furthermore, we shall be free to use any ideas, concepts, know-how or techniques contained in any communication you send to us for any purpose whatsoever including, but not limited to, developing, manufacturing and marketing products or events using such information.
Forums and Public Communication
“Forum” means a chat area, bulletin board, or e-mail function offered as part of GoldenLotusTheMusical.com You alone are responsible for the content of your messages and the consequences of such messages, which you submit to the site. You shall not upload to, distribute through, or otherwise publish through GoldenTheMusical.com any content which in the opinion of Golden Lotus Media:
. may constitute libel, defamation, invasion of privacy, or is obscene, pornographic, abusive, or threatening;
. may infringe any intellectual property or other right of any entity or person;
. may violate any applicable law or advocates illegal activity;
. advertises or otherwise solicits funds or is a solicitation for goods, services, advertisers or sponsors or otherwise engages in commercial activity;
. includes programs which may contain viruses, worms, trojan horses or other computer code, files or programs designed to interrupt, destroy or limit the functionality of any computer software or hardware or telecommunication;
. contains links to other sites that contain the kind of content which falls within the descriptions set out above.
You shall not use the site for distributing, disseminating or posting any chain letters, junk mail, ‘spamming’ material or any other form of bulk communication and you specifically acknowledge that soliciting other GoldenLotusTheMusical.com guests to join or become members of any commercial online service or other organization is expressly prohibited.
By uploading materials to any Forum or submitting any materials to us, you automatically grant (or warrant that the owner of such rights has expressly granted) us a perpetual, royalty-free, irrevocable, non-exclusive right and license to use, reproduce, modify, adapt, publish, translate, create derivative works from, communicate, perform, display and distribute such materials (in whole or in part) or incorporate such materials into any form, medium, or technology now known or later developed throughout the universe for the full term of any rights that may exist in such material. In addition, you warrant that the holder of any rights, including moral rights in such content, has completely and effectively waived all such rights and validly and irrevocably granted to you the right to grant the license stated above. You also permit any other member/subscriber to access, display, view, store and reproduce such material for personal use.
You shall not infringe any third party rights through your use of the site, or your activities conducted from the site, including without limitation, the intellectual property rights of others. You further agree not to use in any way any of our trademarks or other intellectual property, or in any way to represent yourself or your site or the activities on your site as connected with us, or link to the site in any manner whatsoever without our express prior written consent and not to damage, interfere with or disrupt access to the site or do anything that may interrupt or impair its functionality.
Termination
These Terms are effective until terminated by either party. You may terminate these Terms at any time by destroying all materials obtained from this site and all related documentation and all copies and installations thereof, whether made under these terms or otherwise. These Terms will terminate immediately without notice from Golden Lotus Media if in Golden Lotus Media’s sole discretion you fail to comply with any of these Terms. Upon termination, you must destroy all materials obtained from this site and all copies thereof, whether made under these Terms or otherwise.
Links
From time to time we will make available to you links from the site to third party sites. These sites are not in any way approved, checked, edited, vetted or endorsed by us and you agree that we shall not be responsible or liable in any way for the content, advertising or products available from such sites, the quality, functionality, suitability or legality of such sites or for any dealings that you may have, or the consequences of such dealings, with such third party site operators. You also agree that any dealings you have with such third party site operators shall be on the terms and conditions (if any) of the third party operator and you hereby waive any claim you might have against us with respect to such sites. You agree that we are not liable in any way for and you agree to indemnify us in the manner referred to below in these Terms in relation to such dealings. Any arrangements made between you and any third party named on the site are at your sole risk and responsibility.
From time to time third parties may link to our site without our express consent or knowledge. Golden Lotus Media is not responsible in any way for any dealings which you may have with these unauthorized sites or any content which may be displayed or linked to by these third parties. If you do come across any link which is offensive or otherwise unsuitable or inappropriate to Golden Lotus Media or our users please let us know.
Limitation of Liability
You expressly agree that your use of and browsing of the site are at your own risk. Neither Golden Lotus Media nor any other party involved in creating, producing or delivering the site is liable for any direct, incidental, special, consequential, indirect or punitive damages arising out of your access to, or use of, or inability to use the site or for the cost of procurement of substitute goods or services or resulting from any goods or services purchased or obtained or messages received or transactions entered into through the site or resulting from any unauthorized access to or alteration of your transmissions or data, including but not limited to, damages for loss of profits, use, data or other intangible property, even if Golden Lotus Media has been advised of the possibility of such damages.
Applicable law may not allow the limitation or exclusion of liability or incidental or consequential damages, so the above limitation or exclusion may not apply to you. In no event shall Golden Lotus Media total liability to you for all damages, losses, and causes of action (whether in contract, tort (including, but not limited to, negligence), or otherwise) exceed the amount paid by you, if any, for accessing this site.
You agree to indemnify, keep indemnified, defend and hold Golden Lotus Media and its parent companies, subsidiaries, affiliates and their respective officers, directors, employees, owners, agents, information providers and licensors harmless from and against any and all claims, damages, liability, losses, costs and expenses (including legal fees) (whether or not foreseeable or avoidable) incurred or suffered by any of these parties and any claims or legal proceedings which are brought or threatened arising from your use of, connection with or conduct on the site or any breach by you of these Terms. Golden Lotus Media reserves the right, at its own expense, to assume the exclusive defence and control of any matter otherwise subject to indemnification by you, and in such case, you agree to co-operate with our defence of such claim.
Jurisdictional Issues
Unless otherwise specified, the materials in the site are presented solely for the purpose of promoting the product and associated products, events and services of Golden Lotus Media. This site is controlled and operated Golden Lotus Media from its office within Canada. Golden Lotus Media makes no representation that materials in the site are appropriate or available for use in other locations. Those who choose to access this site from other locations do so at their own risk and are responsible for compliance with local laws, if and to the extent local laws are applicable.
In the event that any provision of these Terms conflicts with the law under which the Terms are to be construed or if any such provisions are held invalid by a court with jurisdiction over the parties to the Terms, such provision will be deemed to be restated to reflect as nearly as possible the original intentions of the parties in accordance with applicable law, and the remainder of these Terms will remain in full force and effect.
These Terms shall be governed by and construed in accordance with the laws of Canada and the United States of America. If any provision of these Terms shall be unlawful, void, or for any reason unenforceable, then that provision shall be deemed severable from these Terms and shall not affect the validity and enforceability of any remaining provisions. These Terms and any Additional Terms constitute the entire agreement between us relating to the subject matter herein and shall not be modified except in writing, signed by both parties.
